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Wednesday, September 1, 2021

Venice Film Festival: Chaos Reigns As Delegates Struggle With COVID Checks Ahead Of ‘Parellel Mothers’ Screening - Deadline

A film festival is about more than just the films and the festival center. It is about the location, the journey, the experience. Here on Deadline, we’ll be bringing you updates on what it’s like to be on the ground at the Venice Film Festival, which continues on schedule for a second year in a row despite the pandemic disrupting other events.

Wednesday September 1. Day 1 of the festival.

After a relatively calm couple of days as Venice Film Festival delegates started to arrive on the Lido, this morning’s first press and industry screening—of Pedro Almodóvar’s Parallel Mothers at 8:30AM—started without its full complement of ticket holders, who were held up by COVID and security checks at the various entry points to the festival zone.

Deadline arrived at one of these checkpoints, outside the Quattro Fontane hotel, at around 8AM, to find a large queue waiting to go through. The line moved slowly until there was about five minutes to spare, at which point the police manning the checkpoint seemed to rush the rest of the line through. But the movie started right on time, and the second queue outside the Darsena only grew as more people made it past the first hurdle. After the lights dimmed, latecomers were let in one by one and shown to their seats. We both found our reserved seats occupied.

Venice’s ticketing system has been designed to take the stress out of screenings: at the point of booking, delegates choose a seat in the theater. But with our seats occupied and the film already on the screen, ushers instructed one of us to find another empty seat—the other interloper vacated without much struggle.

Venice Film Festival

This was all in stark contrast to last year’s festival save for one day, which was a relatively hassle-free experience. These kinds of teething troubles are likely to be resolved on future mornings; delegates who were “late” today will simply know tomorrow to be within the festival exclusion zone with at least a half-hour to spare before screenings start. With multiple entrances to the festival zone, delegates may be well advised to try and find the least populous one.

One thing seems sure, though: as we speculated yesterday, this year’s festival is a busier affair than last year’s, even if numbers aren’t yet back to pre-pandemic levels. Passholders get three strikes on ticket bookings that they don’t end up using. With this morning’s choice out of many attendees’ hands, it remains to be seen whether the festival will penalize those delegates who couldn’t make it through the doors at all. Deadline has reached out to the festival for comment.

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‘Shang-Chi’ Bound For Labor Day Weekend Record With $90M+ WW Launch – Box Office Preview - Deadline

The Labor Day weekend box office, the last frame of summer, which studios typically shy from, is poised for a revolution as Disney debuts the first Asian American Marvel superhero feature Shang-Chi and the Legend of Ten Rings. 

Studios have held the long belief that no one goes to the movies over Labor Day weekend, and it’s for that reason why they’ve avoided opening movies over the four-day holiday. However, Disney believes that it’s possible to open a Marvel movie anywhere on the calendar, even during a pandemic. NRG moviegoing comfort levels have stabilized over the last two weeks in the 66-68% range with around 28% of all moviegoers being very comfortable.

'Shang-Chi And The Legend of The Ten Rings'

In U.S. and Canada, it’s projected that Shang-Chi is in store for a Labor Day opening weekend record of $45M-$50M at 4,200+ theaters, beating previous title holder, 2007’s Halloween which made $30.6M. Exhibition has projections much higher, however, the erratic nature of moviegoing during Covid makes forecasts shakey. The 18-34 demo, no doubt, will show up, just like they’ve been turning out throughout the summer, and an over-indexing of Asian audiences in cities such as San Francisco, Seattle, Honolulu, New York and Los Angeles is expected.

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Even if Shang-Chi underperforms, or comes in toward the bottom of its estimate, the buzz from the pic alone should carry it to the No. 1 spot for the next three weekends. Theater owners and bookers were over the moon over the Destin Daniel Cretton-directed movie out of CinemaCon, and critics are giving the latest Marvel Cinematic Universe title a huge thumbs up at 92% Certified Fresh. Disney held the world premiere in Hollywood on Aug. 16 and allowed reviews to hit early, spurring great heat for the movie which stars Simu Liu, Awkwafina, Tony Chiu-Wai Leung, Michelle Yeoh, Meng’er Zhang, and Benedict Wong. Previews begin Thursday at 6PM.

As of yesterday, advance U.S./Canada ticket sales for Shang-Chi are running 20% behind that of Black Widow‘s which has posted the biggest domestic opening during the pandemic with $80.4M (that was with a simultaneous day-and-date on Disney+ Premier, the streamer’s PVOD tier). Black Widow‘s advance ticket sales repped 28% of its opening weekend, while F9‘s advance ticket sales repped 20% of its $70M opening weekend. Shang-Chi will have the full swath of 400 IMAX auditoriums, 850+ premium large format screens, 1,500 3D locations; and 235 specialty D-Box/4D screens.

Also hoping to boost sales is the Gold House #GoldOpen social media campaigns for the film. Gold House is a nonprofit collective of Asian & Pacific Islanders who teamed up with CAPE and GoFundMe to launch #GoldOpen events in Los Angeles and New York City. Gold House is hosting a number of #GoldOpen premieres in Los Angeles and New York City. The premieres will feature bites and treats from Chinese and Asian-owned restaurants across Los Angeles, New York and San Francisco, selected by Cretton and more members of the Shang-Chi creative team. The #GoldOpen movement fired up again for 2018’s Crazy Rich Asians, driving a $35.2M five-day opening at the domestic B.O. for the first Hollywood studio movie in 25 years to star an all-Asian American cast. #GoldOpen was reborn in a Gold House Salon in San Francisco at Director Jon M. Chu’s family’s legendary restaurant, Chef Chu’s.

Shang-Chi opens overseas today with key markets France, Korea and Italy. It then moves on to such majors as Australia, Russia, Germany, Brazil, Mexico, the UK, Japan and Spain through Friday. The launch represents 66% of the overseas footprint. Notably not going this session are South East Asia (which is closed, except Singapore) and China where a date is still awaited. The overall weekend outlook for international is $40M+, and it would not be shocking if the overall global launch reaches $100M, but $90M+ is the hopeful number. There is some competition from YA pic After We Fell  in Germany, Russia and Spain, so that is something to keep an eye on given the strength of that franchise. The previous two After movies have combined grossed $117.8M.

A comp on Shang-Chi is The Suicide Squad whose like-for-like debut was $36M overseas. Shang-Chi should outplay that film. Recent Marvel title Black Widow did $76M in like-for-likes at open overseas, but Shang-Chi may not reach those heights. Black Widow starred a well-known character, was the first Marvel movie in what feels like eons, and the current film is introducing an entirely new universe.

Still, reactions have been positive and there is potential for margin as well as strong holds going forward if the movie is received as we can currently perceive. This may have a rush-out for fanboys, but will also likely have legs. 

The lingering issue is China. The market has been stingy with release dates for Hollywood movies. Will Shang-Chi play there eventually? Maybe a successful launch elsewhere will help foster that along. 

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‘Shang-Chi’ Bound For Labor Day Weekend Record With $90M+ WW Launch – Box Office Preview - Deadline
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